locrian mode การใช้

• The Locrian mode is traditionally considered theoretical rather than practical because the triad built on the first scale degree is diminished.
• The Locrian mode is not at all traditional in English music, but was used by Kirkpatrick as a musical innovation.
• Icelandic singer-songwriter Bj鰎k used the Locrian mode for the bass part of her 1995 hit " Army of Me ".
• The super locrian scale ( enharmonically identical to the altered scale ) is obtained by flattening the fourth note of the diatonic Locrian mode.
• English folk musician John Kirkpatrick's song " Dust to Dust " was written in the Locrian mode, backed by his concertina.
• Of the two elder pipes, The shorter instrument gave a six-finger key note near to F and played a scale close to the Locrian mode.
• The theme of the second movement ( " Turandot Scherzo " ) of Hindemith's " Symphonic Metamorphosis of Themes by Carl Maria von Weber " ( 1943 ) alternates sections in Mixolydian and Locrian modes, ending in Locrian.
• The altered scale is also enharmonically the C Locrian mode, C-D-E-F-G-A-B, with F changed to F . For this reason, the altered scale is sometimes called the " "'super Locrian mode "'".
• The altered scale is also enharmonically the C Locrian mode, C-D-E-F-G-A-B, with F changed to F . For this reason, the altered scale is sometimes called the " "'super Locrian mode "'".
• Jazz musicians typically consider the half-diminished chord as built from one of three scales : the seventh ( Locrian mode ) of the major scale, the sixth mode of the melodic minor scale ( the latter scale is nearly identical to the Locrian mode, except that it has a natural 9 rather than a 9, giving it a somewhat more consonant quality ), or the " half-whole " diminished scale ( see octatonic scales . ) See : chord-scale system.
• Jazz musicians typically consider the half-diminished chord as built from one of three scales : the seventh ( Locrian mode ) of the major scale, the sixth mode of the melodic minor scale ( the latter scale is nearly identical to the Locrian mode, except that it has a natural 9 rather than a 9, giving it a somewhat more consonant quality ), or the " half-whole " diminished scale ( see octatonic scales . ) See : chord-scale system.